Krishna as the Male Form of the Devi: An Exploration of Shaktism and the Triumph of the MahaDevi as Brahman

Shakta scriptures reveal Krishna as a male manifestation of the Devi—affirming the Divine Mother as the Supreme Brahman. The Lalita Sahasranama names Her Govindarupini and Visnurupini, while the Devi Bhagavata Purana describes Krishna’s form as created by the formless Goddess for Her devotees. Tantric and Puranic texts echo this revelation, portraying Krishna as the male lila of Lalita Tripurasundari. Even Vishnu is declared Her form, and Krishna’s bija mantra “Klim” resonates with Kali’s “Krim.” This synthesis of divine gender dissolves patriarchal boundaries and elevates the MahaDevi as the non-dual reality behind all forms. Krishna, in this light, becomes Her radiant play—Her compassionate descent into the hearts of seekers.

Introduction

In the rich and diverse tapestry of Hindu theology, the concept of the Divine Feminine, or Shakti, holds a position of profound significance. Within the Shakta traditions, the Goddess, in her various forms, is revered not merely as a consort to a male deity, but as the ultimate reality, the Supreme Brahman, from which all existence emanates. This paper will explore a fascinating and often overlooked aspect of Shakta theology: the conception of the popular deity Krishna as a male manifestation of the Devi, the Great Goddess (MahaDevi). This exploration will demonstrate that even a deity as central to Vaishnavism as Krishna can be understood, within a Shakta framework, as a form assumed by the all-encompassing Goddess. This understanding underscores the triumph of the MahaDevi as the ultimate, non-dual reality, Brahman itself.

The primary textual evidence for this interpretation comes from sources such as the Lalita Sahasranama, the Devi Bhagavata Purana, and other Puranic and Tantric texts. These scriptures contain verses that explicitly identify Krishna with the Goddess, or describe him as a form she assumes for the benefit of her devotees. By examining these verses in their theological context, we can gain a deeper appreciation for the fluidity of divine gender in Hinduism and the all-encompassing nature of the Divine Mother in Shaktism.

The Lalita Sahasranama: Govindarupini and Visnurupini

The Lalita Sahasranama, a key text in the worship of the Goddess Lalita Tripurasundari, provides direct evidence for the identification of the Devi with male deities, including Vishnu and his avatar, Krishna. Two names in this sacred hymn are particularly significant in this regard: Govindarupini (267) and Visnurupini (893).

This verse explicitly states that the Devi has the form of Govinda, a popular name for Krishna. The commentary by R. A. Sastry further elucidates this by referencing the Harivamsa, where Vishnu, the protector of the universe, is described as the female manifestation of prakrti. This interchangeability of divine gender highlights the non-dual nature of the ultimate reality, where the Goddess can manifest as the male protector deity.

The name Visnurupini further solidifies this concept. The commentary on this name provides a wealth of scriptural support. The Devi herself, in the Lalitapakhyana of the Brahma Purana, declares that her male form is "bewildering the milk-maids," a clear allusion to Krishna's pastimes. Vishnu also affirms that the ancient Sakti is his male form. The praise of Himavin in the Kurma Purana identifies Lalita with the cosmic form of Narayana (Vishnu), and Siva reveals that the Goddess is his "supreme maya and prakrti," the very womb of the universe. These verses collectively demonstrate that from a Shakta perspective, the male deities, including Vishnu and by extension Krishna, are ultimately forms of the Devi.

The Devi Bhagavata Purana: The Goddess as the Source of All Forms

The Devi Bhagavata Purana, a foundational text of Shaktism, provides a comprehensive theological framework for understanding the Devi as the Supreme Brahman. This text is explicit in its assertion that the Goddess is the origin of all things, including the other gods. The 9th Canto of this Purana is particularly relevant to our discussion, as it describes Krishna as a direct manifestation of the Devi.

Specifically, Chapter 38, verses 29-31, detail the creation of Krishna's form by the Goddess:

This passage is a powerful statement of the Goddess's supreme power and compassion. It asserts that she, though ultimately formless (arupa), takes on forms (rupa) for the sake of her devotees (bhaktas). The first form she creates is that of "Gopala Sundari," a name that combines the pastoral charm of Krishna (Gopala) with the divine beauty of the Goddess (Sundari). The description of this form perfectly matches the iconic imagery of Krishna. This verse leaves no doubt that, according to the Devi Bhagavata Purana, Krishna is a form willed into existence by the Devi.

This interpretation is further supported by the broader context of the Purana, which consistently elevates the Devi above all other deities. For example, in the same text, the Goddess is described as the source of the Trimurti (Brahma, Vishnu, and Shiva). Therefore, the manifestation of Krishna as a form of the Devi is a logical extension of this core theological principle. The Goddess is not merely a consort or a subordinate deity; she is the ultimate reality, and all other divine forms, including Krishna, are expressions of her divine play (lila).

Supporting Verses from Other Texts

The identification of Krishna as a form of the Devi is not limited to the Lalita Sahasranama and the Devi Bhagavata Purana. Other texts within the Puranic and Tantric traditions also support this view, further illustrating the widespread nature of this Shakta interpretation.

The Padma Purana and the Narada Purana, for instance, both contain passages that explicitly state that Krishna is a male form of the goddess Lalita Tripurasundari. The "Patala Khanda" of the Padma Purana is particularly noteworthy in this regard. Similarly, the Tantraraja Tantra, a significant text in the Shakta tradition, describes how the goddess Lalita assumed a male form as Krishna. [4]

The Rudra Hridaya Upanishad provides another layer of support with the verse, "yaa umaa saa svayan vishnuh," which translates to "Uma Herself is the form of Vishnu."[4] Since Krishna is an avatar of Vishnu, this verse implicitly identifies Krishna with Uma (a form of the Devi). This is further reinforced by Swami Vivekananda's commentary, where he states, "A bit of Mother, a drop, was Krishna; another was Buddha."[5]

Furthermore, the esoteric connection between Krishna and the Goddess is hinted at in their respective bija mantras (seed sounds). Krishna's bija mantra is "Klim," which is closely related to the bija mantra of Kali, "Krim." This phonetic similarity suggests a deep, underlying unity between the two deities.

These examples from a range of texts demonstrate that the concept of Krishna as a male form of the Devi is a consistent and recurring theme within Shakta theology. This is not a fringe or isolated belief, but a well-supported theological position that underscores the all-encompassing nature of the Divine Mother.

Conclusion: The Triumph of the MahaDevi as Brahman

The evidence presented from the Lalita Sahasranama, the Devi Bhagavata Purana, and other Puranic and Tantric texts compellingly demonstrates that within the Shakta theological framework, Krishna is understood as a male manifestation of the Devi. This is not to diminish the significance of Krishna, but rather to elevate the Devi to her rightful position as the Supreme Brahman, the ultimate source of all divine forms. The names Govindarupini and Visnurupini in the Lalita Sahasranama, the explicit creation of Krishna's form by the Goddess in the Devi Bhagavata Purana, and the corroborating verses from other scriptures all point to a consistent and coherent theological understanding.

This interpretation challenges the often-patriarchal assumptions that can dominate interpretations of Hindu traditions. It reveals a theological perspective where the Divine Feminine is not subordinate to the masculine, but is, in fact, the origin and ground of all being. The Goddess is both formless and capable of assuming all forms, both male and female. Her assumption of the form of Krishna is a testament to her divine play (lila) and her compassionate desire to engage with her devotees in the forms they find most appealing.

Ultimately, the conception of Krishna as a male form of the Devi is a powerful affirmation of the triumph of the MahaDevi as Brahman. It demonstrates that in Shaktism, the Goddess is not one deity among many, but the one, non-dual reality that encompasses all of existence. She is the beginning, the middle, and the end, and all the gods and goddesses are but sparks of her divine effulgence. The worship of Krishna, from this perspective, becomes another path to the worship of the Divine Mother, the ultimate source and goal of all spiritual paths.

References

[1] Sastry, R. A. Lalita-Sahasranama. The Adyar Library and Research Centre, 1988, p. 145.
[2] Sastry, R. A. Lalita-Sahasranama. The Adyar Library and Research Centre, 1988, p. 338.
[3] "Devi Bhagavata Purana." Wikipedia, Wikimedia Foundation, 20 Sept. 2025.
[4] "The Shakta interpretation of Lord Krishna." r/hinduism, Reddit, 2023.
[5] Vivekananda, Swami. Inspired Talks, My Master and Other Writings. Ramakrishna-Vivekananda Center, 1958, pp. 48-49.